Saturday, April 22, 2023

Summer of 67

 We ended up at 1800 R St because they would allow dogs of which we had a very long and aggressive winter dog from Iowa befriended with a piece of roast beef in previous winters. Friendly was his name. We would walk him to Dupont Circle nights after the day, she at NASA me at the Folger, riding up and down in the elevator, from the 6th fl. among the colorful transvestites there, who must have been ashamed to ride in the same elevator as my wife who was statuesque at 5' 10" and noble and  beautiful without anything to change her. So Friendly came with us everywhere. He had been to New England the previous summer when we drove the coast from Philly to Maine, eating Portuguese bread and staying in resorts cheap for the off season, but that was before I had learned the know now about transcendent peripherals  so my stories were prosaic with slights of irony. After we came back to Philly in Nov 66 we soon heard of the apps to teach at FSC starting in Jan 67 where we went late Dec to get a place, but couldn't get one in that part of town, too white for that, so had to live a little away on Mcgilvery St. Walking those nights in Fayetteville on Fri and Sat night we learned not to do from all the drunk boots raving on the ground. One kept following us, pestering my wife over and over until, remember, I'm an athlete and also can be sudden, I was literally in the next step going to knee him in the balls and kill him, which would not have been good because of all the soldiers around, when he must have sensed it in his stupor and broke off.  I played some tennis there too, with Charlie Brown Asst to the Pres. and became his friend, played in the city against a guy who took lessons from a pro with a serve and volley game and had some fun matches. At the end though I arranged him to play on the hard courts at the college, to an audience of my students and crushed him badly. He was white. Many of the students then had not known a caucasoid, as the Dean Malvin E Moore called us, and were welcomed at the first registration esp. by Archie and Wesley who called themselves Home and Rome. We made so much money with two salaries at 6500 each that I bought a white MGB that could run good. We used it to tow the NSU Prinz I bought stupidly in Iowa after its seals blew out and the repair showed a used piston in a new car. So we towed it at night, without plates, to the bank in Iowa city and gave it back. That was a placid time compared to later, although they made my wife teach accounting, which she hated. It was drug free, open, enthused, not like the next year after they hired 5 more caucasoids and got Marxists, hashists, loonies, etc. and then revolution. But for the summer of 67' Dr. Moore rec'd apps for jobs in DC for faculty to work for NASA, so we applied for fun and then went, me to digest a room full of contracts for the previous 10 years, my wife to something I forget, but i had no idea and quit in a week, walked over to the Folger to see if  I could read and, this is the way of that time, not privilege, but something. I got admitted on the spot for the summer without prior app because I knew Rhodes Dunlap's name. [pic of choclate covered hunky bar] It''s audacity. I walked on at he Writer's workshop by passing a sheaf of poems to Starbuck and getting a note, drew Justice with the lot! I walked on at the LAM on a moment some years before. All this because "my soul boasts in the Lord' as the psalm says, o/w not of this had happened and I had been untutored, for that had been a walk on too, or a walk up the sawdust aisle of a tent under the prickling affronts of the Holy Spirit and knelt in the back when OH! My soul does rejoice in you Lord let the afflicted hear and rejoice. Easily the most powerful experience I have ever known and one that radiates the joints and marrow.

So I had a desk and a pipe and read Marprelate tracts and grammars, sat across form Thomas Mish of 17th cent porn fame, who downed Sterge O'Dell at my undergrad for softness, but he got to wear the scarlet gown and got us into Iowa in the first place. I became a bouncing humanist at the Folger at lunch with Gerogetownites and Roy Flannigan of the Milton news letter. There was a blonde in her 20's from Harvard reading the alchemists there. There were clay tennis courts in front of the capitol then where we went for fun to walk and watch, but one night was asked by a congress rep to play him, so I took off my shoes and played a set in my socks. He was most frutstrated when I beat him at 3. I had played my last year, and had taken the 6th man of Iowa to  4 and 5 in a loss, with no prep. His coach  congratulated me on the loss. At the Circle nights there were congo drums pounding and people milling. Leaning up against the fountain a guy asked me if I knew where he could get some lettuce.  Another narc, narcs galore. But when we walked Friendly back and forth people would cross the street to avoid passing him. After we moved to the Texas hill country outside town the first night we left him out to prove himself. Five dogs of the landlord came for him and he left two on the ground and the others ran. Next day they brought the big dog a German shepherd husky mix magnificent, Charley Brown, and Friendly and he met halfway between the houses, maybe 200 ft. and circled each other sniffing and that was it. Friendly was a third his size but had a big mojo of respect. Charley was kept in a pen on a rope on a wire and some time later, trying to jump the fence hung himself. Friendly would roam, being whole. In Iowa he would be gone for days, sighted miles away, but here one day he never returned. I saw him dead in the back of a rancher's pickup in a dream. We took up then with another dog Scorpio, named for the heavens an emaciated thing with a mashed foot the other neighbor starved until he got so thin he slipped his collar. He stayed for  a year until the guy saw him and took him back. Scorpio jumped up on him in welcome, then back to the cage. We had Fox, a border collie too, a fine dog who went swimming with us at Lake Travis, laying on the rocks swimming in clean water. He took off for better climes. When we got back to FSC in fall an influx of northern scholarship B ballers from Bed Sty and others from Newark and DC enrolled and began the black rev for real. They took my lit class and wrote the assigned paper on writing their own Notes from the Underground. Most of them got A and the ladies of the Dept thought I was trouble, and showed it. When the time came in few months and they took over the Admin Bldg it was just a moment before grad and most of the caucasoids were let go, which saved us from going with the hashishim to Germany, which my gut opposed. Saved by hemorrhoids I convalesced in Philly, she went to art school and we went to Texas because the app was free.

Monday, December 12, 2022

Inner Speech of a Lion

 Inner Speech of a Lion

Wit has to ask what relation of sea and land exists in a proposition where a lion would speak or a dog feel and whether a rose has teeth (or teech, and if you change beach to teach, why not change two more letters and have teeth teach too?)  Where would they be, in the heart of the petals? The sea and land without record, without writing, without teeth  ephemerate into nothing, for that rose has thorns (and they are its teech, its teeth its speech) like a tree has bark in that world where leaves cover its trunk. We can reverse these teech-teeth nicely into mouse singers singing operas and dogs undertaking investigations of being. To pretend a dog or a mouse is like a man whose [thinking goes on within his consciousness in seclusion] when there is no one to [read the silent internal discourse of others], <222> how could they if they cannot read themselves. A man is a book or a land without reference to [a game of guessing thoughts] but if I say that [what is internal is hidden from us] like [the future is hidden from us] it is no wonder we have not discovered our land from which we observe the sea, for Miss Bentley still does not know what she wants to be and thinks it OK. But the future is not hidden from us, it is the past and in the same way that if [a lion could talk we could not understand him] it is not the talk of the lion past we seek but its thought, for even if it doesn’t talk it thinks, and that inner speech of the lion is our concern. We cannot guess from its face or its eyes of  brightness and intelligence, just as a man enslaved whose eyes show such servility, while he waits his change, his chance to freedom, his inner speech, inner intent is freedom, but we don’t have to read either the lion or the man to know his nature is to eat and be free.

In all this back and forth Wit continues to ask what it’s like to feel another’s pain and how it is certain to know [that this man is in pain] which is not ask our reading of thoughts, which have many shades and color and are never just one thing but one thing doubted, then inverted, then smelled and weighted so that the thought, [the height of Mount Blanc depends on how one climbs it] is a belief tone, a color of thought, inner speech calculation, for the language no one speaks is a math of the mind that examines  whether [a dog can be a hypocrite] transferring to the dog the inner speech of the man who is a hypocrite for his thousand thoughts unspoken, and how and whether any one of those thoughts emerges in  action is remote to his knowing, for his impulse is his action and that is no inner speech at all. So if he has  a dog [a dog cannot either be a hypocrite or sincere] it is only by his transference that he says this, for the dog is never anything but sincere and cannot hide his inner speech when it comes to the man. The dog will always show his affection, or not, to the man, but a dog is a hypocrite to his food. We know that from  the sneaking crusts of bread out of the trash or the holes in bags of feed on the porch gnawed a little at the margin like there were root rats but we know the cause, and we say all this to say at the end that the concept of learning the past is revealed in the remembering of it and what it feels like to remember is a first awareness of the land you stand on before the sea of thought where the past is all the land there is to stand on. That ending/beginning in the past and in memory enables the man to stand and see and think. Like any sentient being, the dog, the lion awaits in anticipation of every moment that he hopes and waits in faith to come, so the past is hope too and memory. And that is Part Two.

A Stone

We go backwards to know ourselves, for we wake and find we have been standing there a long time and the waves have made no impression washing up on us and going out and conducting their own lives with turtles and urchin and seaweed and driftwood that comes and goes in the tide. The question is not how do I know my image, but how do I remember it. This is not about the image of the imagination, the colors of red as a picture, conflating the image in my head with the land and its memory, that with the past enables us to ask [Could one imagine a stone’s having consciousness?]. Is a stone conscious like a lion or a man, or anyone who has thought about the stone as a lima bean of consciousness, but has no way to express it, no voice, no arms, no legs, no eyes, no ear, no skin, no teeth, but a mind thinking in the bean just the same as in the stone? Ipso facto, said this way, if I imagine [that each of the people whom I see in the street are in frightful pain but concealing it] and the waves and the sand and the sea and the mind of the land conceal inner speech that [the soul is in pain but what has that to do with the body?], feeling pain is like feeling memory the first time, waking on the shore to the wind and salt concealed all this time, now shorn, the same way the man is shorn who is in pain, for imagine that I see they are in pain or rather I feel it before the words of inner speech become conscious. After the words I think that the man is in pain but concealing it. Shades and shadows of the dog-hypocrite for food, the man is an actor imagining himself whatever it be, hypocritely for saying, I saw an image but not in my eyes.

Where then the image of the pain, and where is the image of the world, of the sea, of the waves or the land if not in the eyes inverted into the mind? The image is in the feeling evoked by the image, the field of flowers in a field under a cliff in Blanco, a plight of immortal amarant calling. Do not ask if flowers are sincere, but do ask about the feeling the image gives, the flower hanging down, for the thought is the image, the imagination is the image whereby I do know whether I or anyone else is in pain. [Imagine people standing in a circle and among them one connected to an electric, and try to see which one has been shocked, for one has, except now I know it is myself  [123,] If I suppose [I can feel the shock even when someone else is electrified] I am connected with them and feel them, unless I am anaesthetized or paralysed the way the angels are who cease to remember themselves. If paralyzed what is the difference from that prior state where we stood on the shore but did not know it or the waves breaking, because knowing is every case for us, that is real knowing, which is feeling and feeling is remembering. The first time we feel a thing we do not know what it is but building up a pattern of memory we know and can say in our inner speech those very words, he is in pain, I am in pain, we are in pain. All because we feel.

An Ape

Nor can we account for all those not in pain or who say they are anyway, but ape their pain, or those who act as if there is an [unbridgeable gulf between consciousness and brain], for them consciousness is feeling, not thinking, which only comes after feeling and is abstracted to memory from which the ape asks whether it is conscious and feels pain, which is as if to ask if there are [witnesses that they have consciousness], how can there be witnesses to inner speech? These charades are species of automata [can I imagine that the people around me are automata, and lack consciousness……with fixed looks (as in a trance?)] <126>  When I admit that [while he was speaking I did not know what was going on in his head]  should I like to see into his head it is the same as with the pain of shocks in a circle. I cannot know his pain or his thought without connecting it to my own and my own thought and pain are memory of feelings cataloged in the past. Retrospectively without his pain and memory and my pain and memory I am a Robinson Crusoe of the mind and [it is as if I have imagined that the essential thing about a living man was the outward form] <128>. Outer form, inner speech, shared feeling, mutual pain, mutual thought, I knew what he was thinking and I said it, my stone, my block of wood.

A Mind-Ear

The possibility that there could be human beings unattached to their words, to whom speech is an alien is the case. And everything is the case. What would it be like for a human being to never find a word on the tip of their tongue however is not the case, for they always do find the word that they then speak. This is a measure of what they hear. The tip of the tongue is thus the ear and the ear is thus the mind, for they hear the word in their mind as something inchoate, vague, a glimmer now in the eye, the mind’s eye. So in mind-ear or eye they say it’s on the tip of the tongue. I just can’t think of the word but it will come.

But what is hearing, seeing, thinking, speaking, imagining?  What is the silent internal speech that saying inwardly or singing inwardly but read silently is to be learned? The learning is in the listening to that hearing that is no voice. Voice had to be invented for thought, prethought and afterthought to emerge. All you have to do is speak, but speaking evaporates in air, but to write, the writing is engraved. Thus transcribed thought can be heard and seen as many times removed from the tip of the tongue, for what anyone says to himself within himself is hidden from me. This not knowing is not as strange as the desire to know what another is thinking to himself on the tip of the tongue when we do even not know ourself what we are thinking to ourself.

Our thoughts come in waves of particulars and themes over and over like the sea rolling up and falling back. They always have and always will but it is as though we never knew we stood on the beach (the teach, just change the initial letter) and hear them, smell them, feel them. What even if the beach is our thought within ourself as waves, who am I otherwise as land and if my soul anyway is not of the land but of the sea?  Hold on to that land, it is the point of departure that grew slowly in mind and took permanence as the ID as much permance as it has to, and the longer the life land exists the more wonder it holds in its memory of itself. There on the shore is its history, for the place is its face, the place is its land on which its feet stand and watch the waves roll in. And that is how I know I am alive.

Wednesday, August 31, 2022

Mandela Effect. Lion and the Lamb

 ”Fight then with us, thou faithful soul, and lead all thy relatives forth into the same battle, and suffer no strange trumpet of a price operating through fame in the air, to separate our united phalanx under the banner of the Lion and the Lamb. Kelpius, Diarium, 1917, 30.

Sunday, July 24, 2022

Lit mags. the Lion path

 The Lion Path

4/17/22 Sunday. Easter, Orchids for Ruth.The very darkness of Puritan thought at bay is the American Renaissance. The American Renaissance, to hear Martin Amis and Wallace Stevens' biographer contend the elements of transcendentalism and realism in Stevens, already early set the stage for understanding that American poetry is a re-litigation and a religion, as is American fiction. It replaces the  stuff from which Whitman and Dickinson, Crane and Stevens got their inspiration in the first place, the enthusiasms of the KJV Bible, but not just the book, the life and surety they drank from their homes among these folk or at least absorbed from those who led them highest, the way Hopkins did Crane. Afterward, in the critics and professors who make them known to the culture the leavings become a substitute religion of truth, the way Dostoevsky and Kafka are for a slightly wider set. But, again, these are extractions, not ore mined for gold, but throwing out the gold for the rest. As everyone knows the gold is in the finding, the process of the knowing its nearly unspeakable joy.The hillsides of these writers are a perfect gold age Raleigh wanted, where gold the size of a walnut or a child's head can be picked up from the ground. Or call them gems in Whitman, Dickinson, Crane, to change the metaphor slightly, the volcanic pressures that form the carbon into diamond from intense pressure deep within the kimberlite, but then rejected for the surface rock when what these best critics like Bloom and Hartman want most of all, as does Elon Musk, the experience itself, not what it made in Crane imperfect, but what it will make in them first hand. That is the experience they all long for. To walk in the garden.

 

From desire to weariness to desire, live for when vision comes to weariness, like terrible lightning every movement in feeling or in thought, to prepare in the dark its own increasing clarity, confidence its own executioner.

 Iago is another agency man pouring doubt into Othello’s Hamlet father Banquo’s ear, our case Earwicker’s ear and Claudius, Hamet’s uncle pours into his father’s ear, lots of poison there and if Baghdadi worked for CIA, he the “American caliph” of Iraq dismemberment scenario, super Baghdadi, Oswald, too, then their last words count, something about betrayal of the hand that fed so that we see betrayals are the matter to dip a sop in the dish with which would be the same in some worlds as the betrayal of Joyce and Yeats to turn pyramids on their id sides to form cones interpenetrating in the structure of A Vision of the Vatican of the west, a Finnegan's’ Wake to wake the parody of the individual assassination of Banquo into the assignation of the world. Wake is no longer death but life. And who knows but that world is worlds, Egypt not only come to Rome but to Ireland among the Lochloins and Finn Mac Cool. Ramses Tut in this new history of the inseparability of the probable from the improv, telling their symbolic myth of the human form, out-Blake, where the immortals wake in their mummies to speak the secret name, overthrow  the kings, the kings, the things on the bosom of eternal. 

 Now let it be said they erred faintly in the changeover of the world from its primary tincture to the approaching antithete. Even if the inhabitants of Dublin were offspring of the Vikings you’d think they be about bringing up Finnegan again the way Yeats promised to write a volume from the grave for that Finnegan is a legend of antichrist coming awake when it had been killed, we stun to learn, as the Everyman father of Shem and Shaun, that is the Egyptian of events to follow. Can these bodies live? They tied them to the mouths of cannons and shot them in the air. Blow a Sepoy up and out in the deep sleep of nations homeless to believe  Oslo an outpost of  Tucktomen on the Adriatic, and i looked through all the dynasties and could not find his name,  which it if dislocates thy mynde look for three worlds of symbolism, history and daily life to clarify where Banquo’s life is a record of events of the entire life of the nations. Not just one so far. 

Tincture tincture on the wall bring us back to where we were, and  everything began where everything begins when discord falls into vortex and concord reaches the center and shrouded time is emptied out and they turn and run in circles around themselves, pass before and increase in their turn, Empedocles distributing, attributing the diminishing to nothing and interfeasting to the opposing each in the middle of the other’s base and there we have before us worlds, the one world burrowing on into another world. Egypt drove to France and all of solid fire / and gold, this hand  to touch / her Baby long to man / Gesheuntight Finn / erse solid west of his comprachioes --to quote a street ballad in that way.

4500 steps

5/13/22 the Egyptian ollave, a learned man in ancient Ireland, of the Irish erev rav, the Egyptians who went along in the Exodus. Some where they call them ephebe ones after the Gks but if at center it is day and night they fight when Nurses to the trams are gone And the prams go rolling on. All signs of prams the alpha talk, bred into brains with beatings and boasting, be an ollave be an olive for you should under the cunning Osiris creeping along the river bottom looking for his parts, being the the dozen or so arms legs liver gizzer mind contact with the maa-mu as he must think unity and effort as he calls out shhh, in the night at the groans and wheezes disturbing his mediosleep, but it is himself not the four capitals of the origins of history scissioned that fell full when he transmarried the one onnan, Atum, can there be any doubt, Nun, we know, the waters that were not, then were, then only were, then were not and never more shall be where could he stand and offered himself as a hill, hello rock but not believe it will not last the pram and tram empire to net the light to unam sanctum eat the mile long Onesine, the hundred letter omnino esse de necessitate salutis buried in the grass with the mummy Giza  Osi trying to sleep, the grfasses whistering him he hears at night and says shhh, don’t you know I’m, shhh simultaneous a beat of the simultaeneous scatter those 12 or so parts to finger the battle of the night against  the day, down there was shud a clatter, a shatter, a shudder, then Sankey sunk to the af-invented  gates for twelve pieces found by then, one in the hill gate, two in the glade, three on the mount gate, four in the spring, five in nest, six rang from limbs, seven swiming away on the pool, eight a beaver catching, nine by the hen, ten, well ten was helioplit the center part hour of stillness he ran a line up and down to measure the culminated day and night, eleven his precognition, twelve the basket where he lay, he kept himself in and that is as far as he got on the  pylon collapsed pylon on the east bank of his emergence of faith, for burglars stole two parts of his pistis, the so the ollave driven out thought he was what the record said in a letter found by hen about the periploi south and the buried Babel buried there, not in Ireland sonny, a third of it sunk into the ground so it don’t show so well the capsized husk, pieces of Alp pasted over it we don’t like to speak their names too husky the immorts presuming to wake, wakey wakey time to go to school! The land league, bog peat, the turf folk dudes, Wakey wakey, you can’t sleep all day! Wakey wakey, humpty  shine the hills you think your coming in but not, being officially deranged, the potlatch not your blood dispersed parts delivered to reunite when twilight are dispenses parts and Parousia recovers the lost, day being night and night as day.


The flies are the eyes a myth of Palintir

a statue of ZEUS, god of flies and death. image has
white eyes and blood-smeared cheeks. only look at those houses and
tell me how they strike you. You will observe there's not a window anywhere. They open on closed courtyards, I suppose, and turn their back-sides to the street

THE TUTOR- Only that? We met him on the road to Delphi. And when we took the boat at Itea,there he was, fanning that great beard in the bows. At Nauplia we couldn't move a step withouthaving him at our heels, and now—here he is again! [leviathan] Do you think that chance explains it? [Hebrushes the flies off his face.] These flies in Argos are much more sociable than its townsfolk.Just look at them! [Points to the IDIOT BOY.] There must be a round dozen pumping away at each of his eyes, and yet he's smiling quite contentedly; probably he likes having his eyes sucked. That's not surprising; look at that yellow muck oozing out of them. [He flaps his hands at the flies.] Move on, my little friends. Hah! They're on you now. Allow me! [He drives them away.] Well, this should please you—you who are always complaining of being a stranger in your native land. These charming insects, any-how, are making you welcome; one would think they know who you are. [He whisks them away.] Now leave us in peace, you buzzers. We know you like us, but we've had enough of you. . . . Where can they come from? They're as big as bumble-bees and noisy as a swarm of locusts.

[Meanwhile ZEUS has approached them.]
ZEUS: They are only bluebottles, a trifle larger than usual. Fifteen years ago a mighty stench of
carrion drew them to this city, and since then they've been getting fatter and fatter. Give them
another fifteen years, and they'll be as big as toads

---argues the synchronicity premise leviathan a mythical Hydra with the moving heads and slippery tongues and all of that I fee this creatue growing eyes that look in many directions I sense the long necks wih dragon heads that move as the the research moves in my my mind it does not meearely react to what you do it follows with you almost as if it knos were you are going for perhaps where you should be going and hee’s another twisted thing about this living entity it wants to be causht it almost dares you it reveals clues that only you could find specifically tailored for you and only you

These Fortean incidents… a st3ep-up in the level of synchronity that surrounds their lives. I can now say that the more involved you choose to be, the deeper and more profound these experiences become.

 

  Until the galleon was discovered in the middle of the jungle [halfway through chapter 1] I didn’t really think the book would get anywhere.” One Hundred Years of Solitude

Hart Crane and Hopkins esp Windhover and Lachyrame Christi Ivor Winters read The Wreck of the Deutschland and other poems to Crane, who responded enthusiastically: [a letter to Winters, January 28 1928] 'It is a revelation to me”of unrealized possibilities. I did not know that words could come so near a transfiguration to pure musical notation”at the same time retaining every minute literal signification! What a man—and what daring! (Crane 568)

Gargoyle 1964: Grief, depravity and slave hood, insanity judgement and salvation are the themes of those first pieces in the gargoyle of 64-all unmasked and intimate. No wonder the drexel establishment library does not acknowledge that mag, it takes them all to account it scares them to death.

 

Links Charles h. kerr publishing

Ottawa Surrealist Group members and friends:

Lake – Ladyboy Philosopher

Crown of Blonde Hair

Mind Ape

PatPro

International Surrealist Groups and Individuals in No Particular Order

Peculiar Mormyrid

House of Mysticum (Atlanta)

Fresh Dirt (Alabama, Virginia)

Stockholm Surrealist Group 

Icecrawler/Heelwalker (Theory – Stockholm Surrealist Group)

International Surrealist Group Activities

Gorgon in Furs

Poundhammer

Madrid Surrealist Group

Leeds Surrealist Group

Athens Surrealist Group

Chicago Surrealist Group

Analogon / Surrealist Group of Czechia / Prague

Surrealismo Internacional

Surrealist NYC

Much more exhaustive link-list from Stockholm, including pages for individual surrealists:

Desmatorium surrealistorum

Peculiar Mormyrid-sent Jerry Arstarchius

Emancipatory surrealist What is surrealism, if not the enchanted hammer that breaks the bars of the iron cage that imprisons us? commodity fetishism leads many individuals to confuse freedom with the free choice of a product on the shelves. https://peculiarmormyrid.com/surrealism-and-freedom-michael-lowy/https://peculiarmormyrid.com/surrealism-and-freedom-michael-lowy/

Fiber Spinning

Der stoff of fiber spinning super colliders on one hand with boundary stones of sculptures made like severed heads , on the other, this fan...